CODA

When “CODA” won the Oscar for best picture in Los Angeles, movie stars from Samuel L. Jackson to Nicole Kidman waved their hands instead of clapping in ...

Instead, he worked for 35 years as a printer in a newspaper press room, a noisy place where many people who are deaf had earned a living. His stepdaughter is Barish, the personal assistant who lives in New York. “I remember answering the phone from people who wanted him to do jobs and me talking with them and signing to my dad at the same time,” Zatko said. “One thing that we do not have yet is a strength in numbers,” he said of Hollywood. “Not that many deaf people are involved in the industry at this time. For instance, the film shows how much the parents who are deaf can depend on children who can hear. There are not that many deaf roles in front of and behind the camera. Weinstock said it finally feels like people in the Deaf community are being recognized by the film industry. But to see someone make a movie of it … I laughed. There was a palpable sense of elation at its campus in Washington on Monday, said Robert B. Weinstock, the university’s spokesman. It stars a trio of actors who are deaf, while offering an authentic depiction of Deaf life. Like the film’s acronymic title, Barish was raised by a deaf parent, her mother, now 85. At home in suburban New York, Laurie Ann Barish cried, overcome by what she said was a long overdue feeling of acceptance.

Sadly, the Will Smith incident at the Oscars has overshadowed some fantastic stories of Hollywood barriers being broken.

“I want to see, you know, the work that I do and the music that I make be recognized on the same stage. “It just goes to show that anybody with a disability can overcome and can succeed,” Forbes said. “My kids haven’t seen the film,” Forbes said.

Deaf actor, filmmaker and activist Nyle DiMarco shares what "CODA" winning the best picture award at the Oscars meant to him, and what he wants for Deaf ...

To the people of Hollywood: If you want more amazing Deaf stories, continue to invest in us. I’ll remember bearing witness to it for the rest of my life. I’ll remember bearing witness to it for the rest of my life. I am also making a promise not to let it be the last such moment in my lifetime. I am also making a promise not to let it be the last such moment in my lifetime. One amazing twist out of many in Troy’s story is that the role that landed him an Oscar wasn’t going to be available to him in the first place. When "Audible" was nominated for an Oscar, I tasted one of the greatest honors a filmmaker could get. I’m far from the only Deaf person taking on Deaf storytelling in Hollywood. I encourage everyone to follow and get to know the works of others, too: Shoshannah Stern and Josh Feldman, who created, wrote and starred in "This Close"; Oscar winner Marlee Matlin, who is set to direct an episode of the drama series "Accused"; Marvel superhero Lauren Ridloff, who is working on a project with Ava DuVernay; Millie Simmonds, who is adding executive producer to her resume with a TV adaptation of "True Biz"; and Douglas Ridloff, who is a consulting producer on Marvel’s upcoming series, "Echo." The list is growing. I’ve seen it firsthand as an executive producer on the Netflix docuseries "Deaf U." Members of the Deaf community made up 30% of the crew, 60% of the story department producers and 30% of the edit team. Deaf people had another moment similar to Sunday night back in 1987. Goosebumps prickled my arms as Troy took hold of his Oscar. At that moment, millions of people watching on their TVs all over the world were introduced to an extraordinary talent and an even better person. The moment Troy Kotsur was announced as the best supporting actor winner at the Oscars, the Dolby Theater exploded.

How the 2022 Academy Award for Best Picture went to Sian Heder's 'CODA' despite only three nominations total and competitors from Netflix and more.

By the time cinemas opened up again, the idea of handing Best Picture to a streamer had gone from something worth picking a fight over to something that seemed inevitable. For what it may have lacked in pedigree, CODA had one quality in abundance: It was exactly the film it set out to be. I’ve seen some chatter that it will be unfairly dinged for its big win, that it will go down in history as the film that unfairly beat some career achievements from major directors. Still, this was not the picture of a future Best Picture winner: No film had won with so few since the 1930s. The Zeitgeist played a part, as it always does. Noms from early precursors such as the Golden Globes and Critics Choice Awards proved that its buzz was in fact real, and by the time guilds such as SAG and the WGA joined in, the film seemed like a safe bet to make the cut in Best Picture, especially in a year with a guaranteed ten nominees. Speaking of discoveries, CODA’s Oscars campaign benefitted from having a perfect pitchman in Troy Kotsur. As much as the Oscars are about Hollywood’s biggest stars coming together to celebrate their accomplishments, the season includes an element of welcoming new members into the club. After The Hurt Locker and Nomadland, CODA is only the third film directed by a woman to win the top Oscar. And though I have not confirmed this with Academy historians, it is surely the first Best Picture win to be met with the audience rising up to give a standing ovation in silent applause. When AppleTV+ paid a record $25 million for the film, the reaction was “Wow, that’s a lot of money for a Sundance movie” not “Why CODA?” Add in the bottomless resources of a tech company determined to make a splash entrance to the awards landscape, and CODA was able to hang around the conversation. How did a film that most pundits, myself included, pegged as just happy to be there wind up as the night’s big winner? It is also the first Best Picture winner to have premiered at Sundance, a striking deviation from the recent dominance of the fall festivals.

It's been an up-and-down recent history for the Academy Award for Best Picture. Starting in 2017, we've seen the following Best Picture winners, ...

Jenna Beacom, who is a sensitivity reader and also a deaf parent of a singer herself, criticized the movie's depiction of the Deaf experience, and the insinuation "that being deaf means that you can't enjoy music, or understand anyone else's enjoyment." CODA is the first Best Picture Winner to come from a streaming service, but if you sign up for Apple TV+ there are actually a deceptive amount of great shows to check out additionally. What makes CODA worth your time is the way the story, in casting actors who are actually deaf in the roles, brings a humanity to characters who in past contexts may not have been given the same dimensionality. While there was plenty of praise—particularly on the Rossi family being not only adept and capable within their community but also in many ways even more capable than their hearing counterparts—certain aspects of the movie did also come under some fire. CODA is shot in gloomy Massachusetts, and was never going to compete with the scale of something like Dune. And that's OK. Is it the best movie of the year? The movie centers on Ruby Rossi ( Locke and Key star Emilia Jones), a shy high school senior and the film's titular CODA. She lives with her family in Gloucester, Massachusetts, where they all work on her family's fishing boat; the entire town's economy is built around fishing and selling catches.

"CODA" won Best Picture at the 2022 Oscars — after Will Smith stole the show by slapping Chris Rock, and the shift in attention upset members of Hollywood's ...

“We won’t let bad behavior take away from the historic moment.” The word is out on the beauty of making things more inclusive for deaf people.” “Tears came out of my eyes when Troy won,” she told The Post.