Everything Everywhere All At Once

A24the well-known US independent film production company known for films such as Moonlight (Barry Jenkins, 2016), Lady Bird (Greta Gerwig, 2017) o The ...

And it bodes very well indeed on IMDb achieved a score of 8.8 / 10! Directed by the Daniels, Daniel Scheinert And Daniel Kwan (already known for Swiss Army Man), the film tells the story of Evelyn Wang (Michelle Yeoh), a Chinese-American woman in her fifties, stressed by the family’s laundromat that is not doing well economically, her marriage and a father who doesn’t approves of his life choices. A24the well-known US independent film production company known for films such as Moonlight (Barry Jenkins, 2016), Lady Bird (Greta Gerwig, 2017) o The Lighthouse (Robert Eggers, 2019), after having given us films ranging from political to horror in recent years, is back with a new feature film that spans different genres and is achieving great success at the box office in the United States, with box office revenues exceeding 50 million dollars.

hat to call this economic moment we are living through? Stagflation is the word many reach for as inflation breaks records and growth goes into reverse, but ...

The Bank of England’s Andrew Bailey argued this week it was difficult to disentangle the Brexit effect, but it is there. Instead, we are seeing the jobless rate fall lower and lower as vacancies outnumber those out of work for the first time ever. Government intervention during Covid kept the economy in a state of suspended animation from which it is now thawing.

But how could she not remember, especially as her screen husband, Waymond, played by Ke Huy Kwan, likes to turn into a ninja warrior when he gets bored? She ...

The jokiest other worlds are the one where everyone has fingers like uncooked frankfurters and another where the deep truth of the void is encompassed in a metaphysical bagel. Admittedly, it is a little hyper for Evelyn to encounter her daughter as the evil queen of the multiverse, dressed like Lady Gaga and bent on the destruction of all forms of life, but it is still continuous with the existing problem: Evelyn can’t listen to Joy, and she can’t change her. The word ‘multiverse’, we are told, was coined by William James in 1895, but he was only talking about the one universe that kept failing to get its act together. The trickeries include mother and daughter becoming two rocks chatting in a deserted landscape, and a scene in a cinema where Evelyn is watching herself in the film we have been watching. There is a perfect visual anticipation of all this in the opening shot of the Wangs’ apartment. She soon joins him in this and other worlds, while in her actual home she scarcely talks to him and he is asking for a divorce.

The sophomore feature from filmmakers Dan Kwan And Daniel Scheinert explores the multiverse from the perspective of a laundromat owner (Michelle Yeoh).

The Daniels don't push hard enough into their more extraneous characters, but Everything Everywhere is still an affecting, adventurous experience unparalleled in its weirdness. While the disorientated Evelyn is like the rest of us, the Waymond variant is a grippingly funny guiding hand. But on a second viewing, with all those character dynamics (mostly) understood, its poignancy bleeds back into the beginning – forming a whole that's even more fulfilling. Everything Everywhere holds an ideal balance: it's a drop of love in a hopeless sea. Evelyn has a midlife crisis bolstered by Jobu Tupaki, the most feared and powerful presence in the multiverse. Out of nowhere (well, in a lift) her husband transforms into his ‘Alphaverse’ variant, instructing her to follow certain paths and balance out the multiverse.

A pandemic in which the government turned the economy off and then on again with a consequence that consumers, for ages unable to go out and spend, suddenly ...

Inflation is the story of the day. Perhaps because members of the Monetary Policy Committee thought inflation would be transitory. Problem is, the UK is by no means the only country facing the scourge of inflation. The Bank of England could have raised interest rates earlier but chose not to. The virus meanwhile shrunk the workforce, thanks to a combination of Long Covid and people taking early retirement. Then came the Russian invasion of Ukraine which sent energy prices into the stratosphere.

Everything Everywhere All at Once's Michelle Yeoh revealed how she called out friend Jackie Chan after he passed on her role.

Maybe the action star could pop up in a potential sequel. Of course, Chan and Yeoh have starred in two seminal action movies. But according to the Everything Everywhere actress, the actor was remorseful about passing up the film. That’s what happened as Yeoh revealed how she called out action legend Jackie Chan for passing up on her role in the film. But given the film icon’s busy schedule, he couldn’t commit to the film. The film only scored a major box office milestone for A24, but achieved critical acclaim with star Michelle Yeoh being singled out for her performance.

The film's unique brand of humor, rich performances and cinematic score create a fun and deeply sincere film.

“Everything Everywhere All at Once” is a triumph in every sense of the word. This movie was so life-affirming and joyously cathartic that I had to see it the very next day, once more a week later, and I wouldn’t hesitate to see it a fourth time if given the chance. A former child-star who played Data in “The Goonies” and Short Round in “Indiana Jones and the Temple of Doom,” this movie marks his return to film after a 20-year hiatus — and what a triumphant return it is. Along with the performances, “Everything Everywhere All at Once” excels at everything pretty much everywhere else. As you might have guessed from the film’s name, the film contains a small universe of moving parts, all of which are done well and deserve praise. Additionally, her disapproving father Gong-Gong (James Hong), who effectively disowned her for marrying Waymond and is the source of the intergenerational trauma at the heart of the film, is visiting from China. On top of all that, she’s also being audited by the IRS. Things go from stressful to surreal when, while dealing with an odious auditor played by Jamie Lee Curtis, a version of Waymond from another reality appears and drags Evelyn into a bizarre adventure in which the fate of the multiverse is at stake and only she can save it.

By Ben Carpenter, Film & Television Editor. To make a profound emotional impact on your audience whilst simultaneously entertaining their socks off seems to ...

In response, I would say I’m trying Deidre, and it is films like these that remind you of the importance of such a task. In delving deep into the possible ways her life could have worked out, it becomes clear to Evelyn that none of that truly matters, for all she can really do is experience what occurs here-and-now. But in comparison to other fantasy films such as those of the mega-corporate Marvel franchises, The Daniels’ film proves that splendour and expense are still capable of being used as a means of deeper intellectual expression.

Everything Everywhere All at Once is one of the greatest films ever made - get to a cinema and watch Michelle Yeoh and Jamie Lee Curtis make history.

thrilling. The way that Everything Everywhere All at Once celebrates the mundane, and puts the everyday on the blockbuster stage, is so special. Without giving too much away, the way that Everything Everywhere All at Once handles a queer storyline is something that had me sobbing in my seat. Jamie Lee Curtis is a true chameleon in this film – going from haughty jobsworth tax officer to villainous and violent destroyer in an instant. By never losing sight of what Everything Everywhere All at Once is really about. It’s a film that asks you to stretch your mind open exponentially and endlessly, to imagine that everything is possible and questions whether because of this does nothing really matter or does everything matter even more. Just know that it’s a film you need to see – a film that needs to be watched on the biggest screen, with the biggest speakers.

Directed by Daniel Kwan and Daniel Scheinert, collectively known as Daniels, the film is a hilarious and big-hearted sci-fi action adventure about an.

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