Samaritan

2022 - 8 - 26

Post cover
Image courtesy of "Cinema Blend"

Samaritan Cast: Where You've Seen The Actors Before (Cinema Blend)

And though he has appeared in a few superhero movies in recent years, Stallone hasn't led a comic book adaptation since the 1995 adaptation of Judge Dredd. That ...

Starr, who got his break as Bill Haverchuck on the [Freaks and Geeks cast](https://www.cinemablend.com/television/2562464/what-the-freaks-and-geeks-cast-is-doing-now) back in 1999, has continued to find success on the small screen, with appearances on Party Down, Drunk History, and Silicon Valley, to name only a few. [treacherous Euron Greyjoy](https://www.cinemablend.com/television/2471795/why-one-game-of-thrones-actor-specifically-pushed-to-have-character-die-offscreen) on the [Game of Thrones cast](https://www.cinemablend.com/television/2490856/game-of-thrones-what-are-the-cast-members-doing-now) in the HBO fantasy series’ final few seasons, quickly establishing himself as one of the show’s most evil villains. Though she doesn’t have quite as many credits to her name as other members of the Samaritan cast, Tatum has been part of some major projects in recent years. And don’t forget to check out our guide to all the other When he's not writing about movies or television, Philip can be found being chased by his three kids, telling his dogs to stop yelling at the mailman, or yelling about professional wrestling to his wife. His film credits include everything from voice roles in the likes of Despicable Me 2, Astro Boy, and The Secret World of Arrietty to live-action films including Ender's Game, The King of Staten Island, The Stanford Prison Experiment, Pitch Perfect 3, and Blast Beat. Starting things off is Sylvester Stallone himself, who takes on the role of a former superhero who reluctantly gets back in the crime-fighting game after an encounter with a young boy in trouble in Samaritan. During that same stretch of time, Polanco has landed roles in movies like The Cobbler, The Irishman, In the Heights, and most recently, DC League of Super-Pets, in which she voiced Green Lantern. Though this is first time playing a traditional superhero since taking on the titular role in 1995's Judge Dredd, Stallone has made appearances in Guardians of the Galaxy Vol. This includes major roles on The Assassination of Gianni Versace: American Crime Story, Russian Doll, and When They See Us, to name a few. And though he has appeared in a few superhero movies in recent years, Stallone hasn't led a comic book adaptation since the 1995 adaptation of Judge Dredd. That all changes with Samaritan, Julias Avery's Amazon original movie, which sees Stallone take on the role of a retired masked vigilante who reluctantly comes out of the shadows.

Post cover
Image courtesy of "IGN Africa"

15 Best R-Rated Superhero Comic Book Movies (IGN Africa)

Samaritan debuts on Prime Video on Aug. 26 on Prime Video. Caught between the worlds of superhero movie and anti-superhero movie, the Sylvester Stallone-led ...

You may have figured it out just by reading the premise, which isn’t a problem in and of itself, but there’s nothing more to it than the matter of what Joe may or may not have done in the past. [Defendor](https://www.ign.com/articles/2010/04/15/defendor-dvd-review), [Super](https://www.ign.com/articles/2011/04/01/super-review), or [Kick-Ass](https://www.ign.com/articles/2010/03/12/kick-ass-review-3)), but it has no whimsy about itself, no perspective on the genre, and nothing to say about the moral dimensions it constantly harps on in its dialogue. In the process, this identity is the only question that ends up being relevant to young Sam, despite the bare-bones presence of deeper drama underscoring his search. Samaritan and Nemesis, who briefly appear in flashbacks, are broad stand-ins for childlike notions of good and evil, but the stray lines of dialogue hinting at further complexity may as well be billboard advertisements reading: “Depth: coming soon.” In Samaritan, the superhero-as-police analog isn’t so much a deconstruction of the Avengers, and other protectors of status quo, as it is an excuse to manufacture opposing sides for mind-numbingly staged action scenes lacking any sense of “oomph” (let alone any sense of comprehensibility). The music, by Jed Kurzel and Kevin Kiner, builds commendably in its intensity, but nothing on-screen ever rises to match it. As Sam, Walton is a sprightly delight, but neither his character nor Stallone’s talks with anything but doublespeak about Samaritan, Nemesis, death, and secret identities, all meant to obscure something that happens late into the third act, but seems imminently obvious from the animated opening sequence to anyone who’s ever seen a movie. Others, like local gangster Cyrus (Pilou Asbæk), with his Nemesis tattoos, believe Samaritan to have been a protector of the rich and powerful, while Nemesis was a fighter for the people. However, Joe’s involvement in the story is almost incidental, limited to other characters like Sam and Cyrus egging him on in the hopes that he’ll reveal his identity. Schut) is filled with textures and perspectives it has no idea how to wield, mashing them into a hodgepodge of non-ideas borrowed from other, better movies, both in the superhero genre and in pop culture at large. To make matters even stranger, very little of this plot has anything to do with Stallone’s character, a garbage man named Joe Smith, whose spare time is spent recovering and repairing analog relics like old radios. But his societal revolt has about as much grounding in reality as [Kendall Jenner’s Pepsi commercial](https://www.youtube.com/watch?v=uwvAgDCOdU4&ab_channel=YashYadav). A few decades prior, Granite City (a rough-and-tumble Atlanta) was plunged into chaos thanks to a pair of invincible twins in nondescript metallic costumes.

Post cover
Image courtesy of "Roger Ebert"

Samaritan movie review & film summary (2022) | Roger Ebert (Roger Ebert)

There are so many holes in Samaritan's screenplay that the movie needs to move faster than it does if it is to outrun them.

It even has a twist that you should be able to predict during the opening credits, and the film doesn’t even do anything useful with that potentially interesting development. His evil is so over-the-top he feels ported over from “ [Robocop 2](/reviews/robocop-2-1990).” The way Sam feels about Samaritan is the way Cyrus feels about Nemesis, so much so that he wants to emulate him and destroy Granite City. Then, of course, there’s the scene in the trailer where Joe gets smashed to bits by a car driven by the folks he just beat up, and his body fixes itself. [Austin Butler](/cast-and-crew/austin-butler)’s Elvis from that [Baz Luhrmann](/cast-and-crew/baz-luhrmann) movie to hop over to Amazon from pay-per-view so he can stroll down the street singing “In the Ghetto.” This place is also crime ridden, with Sam committing petty theft with teenagers who work for the evil Cyrus ( [Pilou Asbæk](/cast-and-crew/pilou-asb%C3%A6k)). The bombastic score by [Kevin Kiner](/cast-and-crew/kevin-kiner) and [Jed Kurzel](/cast-and-crew/jed-kurzel) is just obnoxious and overbearing enough to almost convince you that this overwritten origin story should be taken seriously. Schut](/cast-and-crew/bragi-f-schut)’s screenplay, and to the animators who bring it to life.

Post cover
Image courtesy of "Los Angeles Times"

'Samaritan,' 'Me Time,' 'Running with the Devil' reviews (Los Angeles Times)

Review: Sylvester Stallone finds nuance in superhero deconstruction 'Samaritan'. A bearded man examines a watch up close. Sylvester Stallone in the movie “ ...

[a well-plotted, action-packed throwback to ’80s blockbusters](https://www.latimes.com/entertainment-arts/movies/story/2022-05-12/top-gun-maverick-review-tom-cruise) but with better-defined characters, a richer emotional range and some of the best aerial combat sequences ever filmed. (At times the characters are dryly serious; at other times someone will throw in a “Jaws” quote as a wink to the audience.) By the end, “Maneater” has walked right up to the edge of being a fun, silly, “so bad it’s good” time-killer. [Sidney Poitier,](https://www.latimes.com/entertainment-arts/story/2022-01-07/remembering-sidney-poitier) who also cast himself as a Civil War veteran leading wagon trains of freed slaves to a new life out west, alongside his wife (Ruby Dee) and a scheming reverend (Harry Belafonte). [institutional and cultural responses to the storm](https://www.latimes.com/entertainment-arts/tv/story/2022-08-11/five-days-at-memorial-review-apple-vera-farmiga-john-ridley), both before and after. The best way to describe the survival thriller “Maneater” is that it’s about two very different people — a grizzled fisherman named Harlan (Trace Adkins) and a vacationer named Jesse (Nicky Whelan) — who have to work together to kill an enormous shark that has eaten some of their loved ones. In between those “you are there” sequences, Russell fills in some of the details of his subject’s life, from his start as a pioneer of antivirus software to his end as a radical libertarian, surrounded by drugs, guns and chaos. It’s hard to separate the facts from the paranoid conspiracy theories when it comes to McAfee, which can make “Running With the Devil” feel a little scattered — like reading a bunch of fevered diary entries. And while McAfee was on the lam — as one of the most famous criminals in the world — multiple reporters started following him, chasing a strange story barreling toward a dark end. [John McAfee](https://www.latimes.com/world-nation/story/2021-06-25/widow-antivirus-pioneer-john-mcafee-was-not-suicidal) was one of those mega-wealthy folks convinced he knew best how the world should work — and that unless the people in charge let him run things, he was under no obligation to follow their rules. The premise of “Samaritan” is the stuff of cartoons, but the actors makes the stakes feel real. [“The Boys”](https://www.latimes.com/entertainment-arts/tv/story/2020-09-03/amazon-the-boys-season-2-karl-urban-billy-butcher) and “Invincible” have stolen some of the movie’s thunder by doing their own deconstructing and reconstructing of caped-crusader mythology. [Sylvester Stallone](https://www.latimes.com/entertainment/envelope/la-en-sylvester-stallone-20160211-story.html) plays Joe Smith, a garbageman in Granite City, a blighted, crime-ridden metropolis still reeling from the loss of its champion, Samaritan, in a battle to the death with his villainous brother, Nemesis.

Post cover
Image courtesy of "CNN"

'Samaritan' review: Sylvester Stallone plays a reclusive hero in ... (CNN)

An animated, comic-book-inspired opening turns out to be the best part of "Samaritan," a very by-the-numbers superhero tale that casts Sylvester Stallone as ...

About all that's left is the modest kick of seeing Stallone in this sort of setting, a novelty that only goes so far. ["Overlord"](https://www.cnn.com/2018/11/09/entertainment/overlord-review) ["Creed" films](https://www.cnn.com/2018/11/20/entertainment/creed-ii-review)

Post cover
Image courtesy of "Polygon"

Samaritan review: An unbreakable superhero premise with a broken ... (Polygon)

Fresh off new sequels saying "Goodbye, but also not goodbye" to Rocky and Rambo, Sylvester Stallone stars in an aging-superhero movie that seems designed to ...

Is Sam genuinely conflicted between taking up a life of crime and doing the right thing, mirroring the way Granite City’s citizens are divided between Samaritan and Nemesis? On top of the narrative confusion, the tenuous, distant spatial relationship between Sam’s original post and the interior of the hideout makes it seem nearly impossible for anyone to hear him whistling a warning, even if he could. The few moments in Samaritan that do recall more recent superhero movies are still a bit offbeat: Cyrus (Pilou Asbæk), the younger maniac who wants to claim the mantle of Nemesis for himself, sports both a philosophy and a coat that recall the Dark Knight Rises version of Bane. The movie’s superpower is the ability to inspire a litany of distracting questions in almost any scene, no matter how simple. Granite City owes more to the industrial decay of comics movies like The Crow — though it’s equally indebted to local-news scaremongering that depicts any and all cities as cesspools of crime, on the brink of total anarchy. The premise has an appealing directness, laid out in an illustrated prologue: Granite City was once the home of two brothers with superhuman strength and endurance, dubbed Samaritan and (sigh) Nemesis.

Post cover
Image courtesy of "Collider.com"

'Samaritan' Review: Sylvester Stallone Flexes His Muscles to Carry ... (Collider.com)

Stallone cannot redeem 'Samaritan's many flaws, but he can still make it worth watching for those willing to look past a generic superhero story.

In the end, Samaritan’s most irredeemable crime is being bland in a market oversaturated by superhero media. Stallone has a knack for playing big brutes with a heart, the kind of character who knows they can easily win a fight, but still prefers to hold their punches and use their heads. And if the surprise is not mandatory to make a story pleasant, Samaritan fails to explain why the twist happens, undercutting all emotional weight it might have had. There are badly-placed exposition scenes to explain the rules of the fictional Granite City, who the major players in the movie are, and how superpowers work in this universe. Promising yet another gritty and dark take on the genre, Samaritan sadly fails to bring anything new to the table, turning an inventive concept into a generic superhero story. While Marvel still dominates the superhero market, every other studio still tries to get a piece of this very profitable cake by constantly releasing movies and series about superpowered people.

Post cover
Image courtesy of "The Quint"

'Samaritan' Review: Even a Superhero Sylvester Stallone Can't ... (The Quint)

Sylvester Stallone plays a sanitation worker and secret superhero in a film that does little else for its story. A film with a great premise is let down by ...

It has all the makings of a superhero film but doesn’t have the conviction to build on its conflict: it rarely goes beyond the good vs evil story. Because the truth is worth it.) Both actors, Stallone and Walton, have proved their merit before acting with diverse casts but their skill is wasted in Julius Avery’s film. In Samaritan, a Hollywood legend, Sylvester Stallone plays a role that seems sketched out for him from the get go. So far, the premise is strong and if you’ve seen the trailer, it’s pretty easy to piece together that Stallone’s character Joe is the hero Sam’s looking for. But there is little else to his character.

Explore the last week