House of the Dragon - Episode 3

House of the Dragon is based on George R.R. Martin's book Fire & Blood, which was mostly a straight recounting of Targaryen history. But Game of Thrones' ...

Only the gods ( [and book readers](https://www.polygon.com/23057740/read-fire-blood-house-of-the-dragon)) may know. [Aegon the Conqueror’s dream from episode 1](https://www.polygon.com/game-of-thrones/23289499/house-of-the-dragon-aegon-conqueror-prophecy-ice-and-fire-game-of-thrones), is a step back toward the more supernatural world of Thrones. The book itself is a fairly dry recounting of the events as told How to read the moment (or even how she reads the moment) is opaque, by design. It is, as one of the helpers holding it in place so the king may kill it notes, still a “big lad,” but the animal is not white. At a hunting party thrown in honor of Prince Aegon’s second birthday, many push for Aegon to be next in line (him being the firstborn son of King Viserys), while others insist [the throne is still Rhaenyra’s](https://www.polygon.com/23321956/house-of-the-dragon-episode-2-review) (being [the actual firstborn and named heir](https://www.polygon.com/game-of-thrones/23058669/house-of-the-dragon-cast-characters-story-fire-and-blood-targaryens)).

In the third episode of the new Game of Thrones prequel, family parallels become dangerous. Here's a recap of what happened in season 1, episode 3 of House ...

But it’s also a sign from House of the Dragon that this character is not a real character but a symbol. He is not meant to stand apart as his own person, but merely as an entity in opposition to Daemon, as a sign of what the prince is willing to do to his opposition. Waving a white flag before the Triarchy forces, he draws the Crabfeeder and his men out into the open, kneeling before them with his sword held open-palmed. After reading Viserys’s letter promising aid to the Stepstones, Daemon is royally pissed-off, so he pulls a classic Daemon and does exactly what he wants. He did so out of guilt over Aemma’s death, but also out of love for his daughter, and now he fears he’s endangering the vision he saw so clearly as a younger man: of placing a son upon the Iron Throne. His stabs are imprecise, prolonging the stag’s suffering as well as the scene’s longevity, forcing the audience to watch and listen as the innocent creature writhes in agony. In the Kingswood, the Targaryen family members gather with the lords and ladies of Westeros, the wine and the gossip flowing. But Rhaenyra is not such a fan of peacocking, and is so insulted that she initiates a public shouting match with her father. And she’s hesitant to test out that authority on Rhaenyra, who’s resentful that a towheaded toddler seems likely to steal her claim to the throne. Taking place three years after the events of “The Rogue Prince,” two key settings are smartly juxtaposed in “Second of His Name”: the war in the Stepstones and a hunt in the Kingswood. One features Daemon, fighting the Triarchy and glowing in the light cast by his dragon’s gasps of fire, while the other features Viserys, honoring his son’s name day in a genteel forest celebration. Targaryens might come from a long line of warriors, but not all of them seem so comfortable with the nastiness of bloodshed.

As evidenced by King Viserys's (Paddy Considine) nearly three-year long refusal to get the crown involved with it, the Stepstones war is far from an existential ...

The fact that it still feels like classic Game of Thrones anyway is as auspicious a sign as a white hart in the kingswood on your Name Day. “Second of His Name” does well to spend plenty of time with Rhaenyra as well as she nurses her wounds over her father’s marriage and the creation of an heir that might leapfrog her over the throne. More and more the Iron Throne looks like a prison of contradicting responsibilities on House of the Dragon. Neither Rhaenyra nor her father are one to indulge in superstition but how can Rhaenyra deny the mighty symbolism of being the one to see the white hart when it was intended for somebody else? Befitting of the great hunt’s scale, “Second of His Name” provides House of the Dragon with another influx of new characters. Here, however, the scale of the occasion is truly immense and impressive. House of the Dragon answers this question and more in “Second of His Name.” While our time in the Stepstones is certainly worthwhile and glorious, “Second of His Name” could not be considered a successful episode of television if it contained only that. It would be one thing for Rhaenyra (Milly Alcock) and the rest of the realm to hear about Laenor Velaryon’s (Theo Nate) ascension as a dragonrider, it’s another thing entirely for us to actually see it. In Game of Thrones, King Robert’s hunting party consisted of the drunken king himself, his brother Renly, and a handful of other dudes roaming around the woods until a boar goared the Usurper King to death (offscreen of course, in keeping with Thrones’ early monetary modesty). Though House of the Dragon does imbue the Crabfeeder saga with a little more importance than its worth, the show does get one crucial character (re)introduction out of it. In fact, for much of its early run Game of Thrones went out of its way to avoid major battles even when the situation called for it.