Despite label scuffles and self-imposed pressure, SZA's 23-track sophomore album is a breezy, cohesive pleasure.
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Fans have recognized some surprising samples and interpolations on the highly anticipated new album, released on December 9.
The late Ol' Dirty Bastard is sampled on "Forgiveless," which features lyrics from the late Wu-Tang Clan rapper's 1995 track "Goin' Down." SZA, 33, samples herself on this track, mixing in lyrics from her 2020 song "Hit Different," which features Ty Dolla $ign. While on the show, SZA sang "Shirt" and debuted album track "Blind." The S.O.S album also includes fan-favorite tracks "Good Days" and "I Hate U," both of which were released by SZA in the years between her two albums. The song appeared on the Return to the 36 Chambers: The Dirty Version album. "Hit Different" is not included on the album's tracklist. as track "Snooze" appears to feature an interpolation of the Destiny's Child star's 2003 solo hit "Me, Myself and I." The rapper, real name Aubrey Graham, featured the sample on "Champagne Poetry," the intro on his own 2021 album Certified Lover Boy. "S.O.S" also features lyrics from Beyoncé's Dreamgirls hit "Listen" and, according to the album's credit, contains a sample of "Until I Found The Lord" as performed by Gabriel Hardeman Delegation. SZA 'S.O.S.' Sample Guide: All the Songs Featured on Her New Album The opening track samples Masego's "Navajo," which many fans have noted has also been sampled by Drake. [The singer, real name Solána Imani Rowe](https://www.newsweek.com/sza-grammy-awards-2018-792337), announced the new project on November 30 and shared the album's cover, which sees her sitting on the edge of a diving board in the middle of the ocean, reminiscent of the famous image of Princess Diana doing the same.
SOS is SZA's long-awaited second studio album, following 2018's debut Ctrl. The artist has been busy dropping huge singles including “Kiss Me More” with Doja ...
I was already in my feels, why you gotta read me like that”. “I’m beyond moved,” said a crying Lizzo in an Instagram live, while reacting to the album. “To have the ability to bring this out in me three times in a row,” she added,
Fans strongly sample in SZA's SOS is the same as the one found in Drake's Champagne Poetry from Certified Lover Boy (CLB).
- Special - Used - SOS
The album, which arrives more than five years after her debut, 'Ctrl', features guest appearances from Phoebe Bridgers, Ol' Dirty Bastard, and Travis Scott.
“I just loved how isolated she felt and that’s what I wanted to convey the most,” she said. “Originally I was supposed to be on top of a shipping barge, but in the references that I pulled for that, I pulled the Diana reference.” The artwork for ‘S.O.S’ takes inspiration from a photo of Princess Diana, as SZA recently explained to Hot 97.
SZA's new album 'SOS' is finally here, and the 23-track project features appearances from Travis Scott, Don Toliver, Ol' Dirty Bastard and more.
[Ctrl](https://hiphopdx.com/news/id.48134/title.sza-thanks-fans-for-2-3-billion-ctrl-streams), which arrived in June 2017. It has since been certified triple platinum by the Recording Industry Association of America (RIAA). “So I’m like, ‘Yeah we can do that,’ and I held the song back for a week and it was taken as I’m holding the album back. Ctrl was a commercial and critical success, debuting at No. “I was dropping the ‘Hit Different’ record and Ty Dolla $ign was on the hook, but Ty had just dropped his single. So they called and asked could we wait for a week just to give him some run on what he was doing before we put ours out. “I wanted the summer. The project featured appearances from [Kendrick Lamar](https://hiphopdx.com/artist/kendrick-lamar), [Travis Scott](https://hiphopdx.com/artist/travis-scott), [Isaiah Rashad](https://hiphopdx.com/artist/isaiah-rashad) and more, and spawned a string of hit singles including “Love Galore,” “The Weekend” and “Broken Clocks.” The artwork was inspired by a photo of Princess Diana that was taken prior to her death in 1997. In July, the 33-year-old But it’s also, you know, SZA stans in supreme alphabet, the S is Self-Savior. And my friends call me Sos for short, because Solana but shorter and cuter, I guess.”
The office was not disappointed. This experimentalist album showcased her range — breaking out of complete R&B and gifting us with sounds of feminine pop and ...
Regardless of the songs that did not live up to the high expectations that SZA sets for her music, the experimentation is commendable, using a vast range of featured artists such as Travis Scott and Phoebe Bridgers, while venturing past the typical R&B that the singer is known for. The songs such as “Conceited,” “Gone Girl” and “Smoking on My Ex Pack” caught a glimpse of the confident, sexy SZA that fans are so familiar with. The self-assurance lyrics such as, “He’s screamin’ get back together, I’m screamin’ back of the bus” in “Smoking on My Ex Pack” is the ultimate revenge, better off without, independent anthem. SZA shows the deepest parts of her self-doubt in these songs — a feat that artists rarely can do without the feeling of superficiality. The highs of the album left the office feeling on top of the world. 9, SZA brought us back to the excitement of listening to her new album after waiting five years since “Ctrl.” The office was not disappointed.
Still, SZA masterfully blends other aspects of pop culture elsewhere: who else would think to throw an ODB freestyle over a Bjork sample on the closing track, ...
The connection runs deeper when you realize both albums play with a sonic switchup at the exact halfway point, down to the second – this one does so with a brief but effective feature from none other than Phoebe Bridgers on “Ghost In The Machine.” Still, the wildest part of the track has to be SZA’s sudden tangent about artificial intelligence, something that’s clearly been on her mind. Speaking of Lizzo, SZA has her own track called “Special” on SOS, and it’s certainly a standout. [music video](https://www.youtube.com/watch?v=hdFDrjfW548) for single “Shirt” was no one-off joke – it seems like part of SZA’s mission statement for the album was actively distancing herself from her classic era, learning to thrive in the drama and even seek it out for the healing it might eventually provide on quite a few tracks instead of shrugging it off like before.
SZA's third studio album, SOS, is here. Stream the album, which features the single Shirt plus appearances by Travis Scott and Phoebe Bridgers, now.
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SZA also confirms that she's had cosmetic surgery in her 'Conceited' lyrics.
Elsewhere on the album, SZA opens up further about her surgery on 'Conceited'. Another added: "Sza admitting she got a bbl on the first track! Now, SZA has responded to the rumours in the most iconic way.
It's her first full-length release since 2017. Five years after breaking through with her debut studio album Ctrl, contemporary R&B superstar SZA has returned ...
SZA performs at the 2022 ACL Music Festival in Austin, Texas. Tim Mosenfelder--FilmMagic. By Andrew R. Chow and Moises Mendez II. December ...
R&B, like every other genre, has been subsumed into mainstream pop at large, and as a result a lot of its heritage — the church, mainly — has been squeezed out.
Her debut album, Ctrl, remains an exquisite artifact of a snapshot into the ugliness of your 20s. SZA's personal and confessional style of lyricism has always ...
Her ability to illicit such distinctive emotions through her lyricism and meticulously orchestrated melodies in CTRL results in tracks that are so personable ...
Five years since the release of her debut album 'Ctrl,' SZA is back with her sophomore LP 'SOS.'
SZA released SOS at midnight on December 9, giving fans plenty of time to devour, praise, and nitpick the sprawling, 23-song-deep tracklist. So far, reviews ...
(Personally, I’m just going to pretend like she didn’t say that.) In the meantime, SZA plans to release a series of music videos to accompany the album. "It’s my first album in five years, so I’m ready to be a different person and step into this new part of my life," SZA said of the album. "The sound is a little bit of literally everything," she said. Say what you will, but SOS is undoubtedly a departure from the music SZA is known for. The comedian and creator of Insecure [commented](https://www.instagram.com/p/Cl68P9HSjMP/?hl=en), “Thank you for this album, girl.” After a five-year hiatus, the singer finally dropped her second album, SOS—the long-awaited follow-up to 2017's Ctrl.
SZA's SOS album follows a five-year break with its artwork honouring an iconic photograph of Princess Diana.
The list of collaborators follows in the footsteps of her last album Ctrl, released in 2017, which saw her collaborate with [Travis Scott](https://www.gq-magazine.co.uk/fashion/article/dior-ss-22-kim-jones), [Kendrick Lamar](https://www.gq-magazine.co.uk/culture/article/kendrick-lamar-mr-morale-and-the-big-steppers), James Fauntleroy, and Isaiah Rashad. [December](https://www.gq-magazine.co.uk/article/new-years-resolution-ideas) is often associated with the end – the precursor to a fresh start. [Phoebe Bridgers](https://www.gq-magazine.co.uk/culture/article/phoebe-bridgers-interview), Travis Scott, [Don Toliver](https://www.gq-magazine.co.uk/culture/article/don-toliver-interview-2022), and [Lizzo](https://www.gq-magazine.co.uk/article/lizzo-juice) – who has an uncredited feature on “F2F”. But for [SZA](https://www.gq-magazine.co.uk/culture/article/justin-timberlake-sza-song-review) fans, the year has only just begun, after the [Grammy-award](https://www.gq-magazine.co.uk/fashion/gallery/best-dressed-men-grammy-awards-history) winning singer released her second highly anticipated album SOS, following a five year break. Producers on this record include big names like ThankGod4Cody, Carter Lang (who SZA worked with on her last album), Benny Blanco, Kenny “Babyface” Edmonds, Emile Haynie, Rodney “Darkchild” Jerkins and Jay Versace.
SZA recreated Princess Diana sitting on a diving board on Mohamed Al Fayed's yacht in August 1997.
Before joining T&C, she was the deputy managing editor at [Hey Alma](https://www.heyalma.com/), a Jewish culture site. Follow her @emburack on [Twitter ](https://twitter.com/emburack)and Because 1 of these images isn't like the other, and while yes SZA is isolated being visually surrounded by water, this photo, the posture, her gaze doesn't read 'Isolated', it reads 'Hopeful' & 'Optimistic.'" One user [replied](https://twitter.com/lavxnna/status/1600663270163386369?s=20&t=5vgLebayWlYcQSmbxqNdkg), "exactly. [Emily Burack](https://www.emilyburack.com/) (she/her) is the news writer for Town & Country, where she covers entertainment, culture, the royals, and a range of other subjects. [tweeted](https://twitter.com/blkboyshine/status/1600624728938512386?s=20&t=5vgLebayWlYcQSmbxqNdkg), "let's talk about how body language plays an important part in photography. The photographs were taken in Portofino, Italy, just a week before her tragic death in Paris.
The unfurling of the songs on 'SOS' feels as lost as SZA sounds on them — but that might just be the point.
“Open Arms” is the one gap in the storm clouds on SOS, and Norma’s presence on it makes it all the more significant. Yes, SZA tries her hand out at rock on “F2F” and kind of kills it. In the end, the track is a tragedy that by its final line will make you wonder how SZA can generate such devastation from such simplicity:“I just killed my ex/ I still love him though/ Rather be in hell than alone.” It’s all to say that this is yet another style we haven’t heard from SZA before, but she executes it beautifully by contrasting its perhaps more elementary, strummy melody with some truly heinous, spectacular lyrics. Overall, it’s nice to hear SZA experiment on something more organic and exuberant-sounding. “And that was what I wanted to convey the most.” [absurd enough to work](https://twitter.com/ExquisiteWill/status/1599844377559732224?s=20&t=n0HwYgvXewgdQiR8esyMOw),” but in retrospect, their joining forces feels natural and inevitable. But, as “Kill Bill” proves, she can also spin a pretty spectacular song out of fictitious events. It’s more slightly ramped-up Joni Mitchell or soft Avril than anything harder, but the rebellious spirit is all there, especially when she cries on the hook: “I f*ck him ‘cuz I miss you.” There’s a slight dated quality to its melody, perhaps due to the familiarity of the guitar chords on its chorus. It’s 23 songs long, for starters, and the unfurling of its tracks feels as lost and meandering as she sounds on them. But that may just be the point — and a good thing — for the singer, who for five years has been hounded by her fans to turn out something, anything. Isolation is certainly a main theme on the singer’s sophomore album, out now, along with anger, loneliness, malaise, and a general feeling of being lost.
SZA finally answered the prayers of her fans, releasing her new album "S.O.S." after a nearly 5-year drought ... and her supporters' emotions are in ...
[dated years ago](https://www.tmz.com/2020/10/05/sza-confirms-dated-drake-clarifies-not-underage/) ... [SZA](https://www.tmz.com/people/sza/) finally answered the prayers of her fans, releasing her new album "S.O.S." a fact he made public to the world via [21 Savage](https://www.tmz.com/people/21-savage/)'s "Mr. serves as the follow-up to SZA's debut album "CTRL" -- which dropped all the way back in June 2017. TMZ Hip Hop caught up with the sultry singer ahead of the big drop and she told us she was [Ol' Dirty Bastard](https://www.tmz.com/people/ol-dirty-bastard/) ... The project features a hefty 23 tracks ... She hits everything from admitting to getting a BBL on the opening title track, and desires to kill ex-lovers on songs "Kill Bill" and “Smokin on my Ex Pack” among those detailing other relationship drama ... As the album title suggests, the TDE 1st Lady tackles a ton of alarming topics. lapping up her lyrics as their new hostile gospel. [Drake](https://www.tmz.com/people/drake/) helped shape back along the way. and her supporters' emotions are in shambles!!!
SZA's new album “SOS” arrived on December 9 with songs titled “Kill Bill,” and “Gone Girl,” lyrics referencing Aaliyah and Beyoncé, as well as samples of Ol ...
She pulls a Taylor Swift in “Special,” a pop track about a loser who made her feel like a loser. She also samples Icelandic singer Björk, borrowing from the ambient electronic song “Hidden Place.” “I don’t care ’bout consequences, I want my lick back,” SZA raps over the trippy beat and old-school hip-hop sample. “All these bitches is minions, despicable like, ooh (Oh).” The sixth movie reference. “Screaming at you in the Ludlow / I was yours for free / I don’t get existential,” Phoebe adds. “Those who have forsaken their humanity / They like to patch their life with morality,” he says. Now, it’s “hate,” not resignation, that provides the “fuel.” “And ain’t nobody talkin’ ’bout the damage, pretendin’ like it’s all okay / I tried to erase, I live to escape.” What’s the password?” SZA asks. “I might kill my ex, not the best idea,” the chorus begins. “Inward I go when there’s no one around me / And memories drown me, the further I go,” she sings on the bridge, referencing Pike’s character in the film, who ran away from home after she discovered her husband (Affleck) cheated. “Remind you of Della Reese,” a lyric goes, shouting out the jazz and gospel singer, actor, talk-show host, and minister with a half-century-long career. SZA came on the album’s intro mad as hell (see lyrics like “Nah, li’l bitch, can’t let you finish” or “Yeah, that’s right, I need commissions on mine / All that sauce you got from me”).
In a SZA song, the catharsis is in the word count. Her music stands proudly in the conjoined traditions of rap and R&B, allowing her to fill every verse and ...
[Ctrl](https://amzn.to/3W9yrVD),” and her emotive new follow-up album, “ [SOS](https://amzn.to/3PcOnnJ),” feels both broader and fuller by design. Yet for all her dazzling wordiness, there is a sluggish midtempo feel that permeates this album’s 23-song track list. Her music stands proudly in the conjoined traditions of rap and R&B, allowing her to fill every verse and hook with a surplus of melodized syllables — which might be necessary considering how much she has weighing on her heart. “Handing out poinsettias to my dead homies’ mothers, praying they feel better.” Would this degree of oversharing even be possible if she weren’t standing at the intersection of singing and rapping? On one especially prolix ballad, “ [Blind](https://www.youtube.com/watch?v=RwFflrGOsv8),” she lets her lyrics fly fast and furious, only half-apologizing for being “raunchy like Bob Saget” before outlining how toxic romances erode self-worth.
SZA's sophomore effort, 'SOS,' is an unwieldy, unruly, and, at times, deeply beautiful album. Read our review.
Like SZA herself, SOS seems to be in a state of constant flux, operating at times on what seems to be a total whim. While it might sound inherently contradictory, to express vulnerability in one’s music requires a degree of confidence. Not every experiment is a success—the wispy alternative elements of “Ghost in the Machine,” chiefly its indietronica instrumentation and unnecessary Pheobe Bridgers guest spot, never really cohere—but the album doesn’t linger on any one specific style or mood for too long.