The Oscars 2023 was a less scandalous affair than last year, and was defined by huge wins by crowd-favourite films.
In much of the commentary around the film, moral and aesthetic categories are being confused. The genuine emotion offered and elicited across all four categories were a refreshing rebuttal for an Oscars cynic, that the symbolic power of these awards can be put in service of expanding notions of prestige acting and celebrity. Was it actually the best picture of 2022? And this will excite the kinds of mega-corporations that produce indie cinema these days – they can simply recycle and combine material from their VHS collection. Despite its historical winnings at the Academy Awards, it is hard to say that Everything Everywhere All At Once has successfully managed to make new representations of Asian in the big screen. That said, I liked the simplicity of the setting for the song, the strong backlighting isolating her and her band in the space and making the large stage seem more intimate. Cast mainly by Asian actors and actresses, this strangely (sometimes even disturbingly) funny but also moving comedy won most of the major awards, including Best Leading Actress and Best Director. With his Oscar win for Best Actor for The Whale, Brendan Fraser simply proves something most of us have known all along – he’s a great performer. This is one of the first songs from song-rich Indian cinema to break through to the Oscars, but we can hope that it will pave the way for more. In fact it was a relatively wholesome ceremony, defined by great sweeps for films All Quiet On The Western Front and Everything Everywhere All At Once. I miss the days of the orchestra pit. Red (note the carpet was renamed champagne) got a solid look in with Melissa McCarthy, Anni Strenisko, and Cara Delavinge, who stunned in Elie Saab.
A combination of old fashioned star power and zeitgeisty marketing captured Oscar voters (and audiences) across the board.
By the autumn, it was clear the film had a real shot at the gongs, and A24 set about securing them. Such strategies encouraged the idea of a grassroots push for an underdog. But Tuesday was the last day of voting, and in a tight race, every little helps. It looks like a film from the future and relies for its pull on the past. Yeoh joined in too, and last Tuesday screenshotted an article on her personal account explicitly comparing the career prospects for herself and fellow nominee Cate Blanchett, should each of them prove triumphant. [declaring](https://www.youtube.com/watch?v=rrDekTrJ13o) “Everything has led to this” - the campaign leant heavily on the zeitgeisty lingo which also defines its aesthetic. Gradually the film’s clout snowballed along with its box office, as more and more critics - as well as industry insiders - declared their love. It was almost everything, almost everywhere, over the course of almost four hours. “I cannot imagine a better audience and crowd for this movie,” said c0-director Daniel Kwan as they took to the stage to present it. Word of mouth began strongly from a crowd at fever-pitch excitement, on the opening night of their first in-person festival in years. [Everything Everywhere All At Once](https://www.theguardian.com/film/everything-everywhere-all-at-once) took the top prize this year, victory felt an inevitability. The strategy slowly began to shift.
Michelle Yeoh reacts in the audience with excitement as she accepts the award for best performance by an actress in a leading role for "Everything Everywhere ...
[Apple](https://fortune.com/company/apple/) TV’s “CODA” became the first streaming movie to win best picture. [Telugu action-film sensation “RRR,”](https://apnews.com/article/entertainment-india-4d04b6d032cabfc91b6d0beb6642c1ef) an intimate, impassioned performance by Lady Gaga of “Hold My Hand” from “Top Gun: Maverick,” and a Super Bowl follow-up by Rihanna. Meanwhile, the Writers [Guild](https://fortune.com/company/guild-instride/) and the major studios are set to begin contract negotiations March 20, a looming battle that has much of the industry girding for a possible work stoppage. “The Way of Water” won for visual effects; “Maverick” took best sound. “Thank you to the Academy for recognizing the superhero that is a Black woman,” said Carter. [best supporting actress](https://apnews.com/article/oscars-2023-best-supporting-actress-18481e06d1e3c03d337d100f10b9e382). Scheinert dedicated the award “to the moms of the world.” [an improbable Academy Awards heavyweight.](https://apnews.com/article/oscars-2023-best-picture-everything-everywhere-all-at-once-c6db5dc1477c28e2b9e41270a036ac12) The indie hit, A24’s second best picture winner following “Moonlight,” won seven Oscars in all. [former action star’s return](https://apnews.com/article/brendan-fraser-the-whale-darren-aronofsky-1b3e71f1022f11b26b764f238b421363) to center stage for his physical transformation as a 600-lb. The audience — including his “Temple of Doom” director, Steven Spielberg — gave Quan a standing ovation as he fought back tears. Jimmy Kimmel, hosting for the third time, pledged a ceremony with “no nonsense.” He said anyone who wanted to “get jiggy with it” this year would have to come through a fearsome battalion of bodyguards, including Yeoh, Steven Spielberg and his show’s “security guard” Guillermo Rodriguez. “Sometimes it’s a little scary knowing that movies move at the rate of years and the world on the internet is moving at the rate of milliseconds.
The 95th Academy Awards was a successful night for the zany sci-fi-comedy-action film, and marked several big wins for Asian representation.
[in Hong Kong](https://www.anothermag.com/design-living/14674/hong-kong-action-films-michelle-yeoh-oscars-everything-everywhere-all-at-once), was the favorite to win, having already picked up the [awards for her performance](https://eu.usatoday.com/story/entertainment/movies/2023/03/12/michelle-yeoh-wins-best-actress-makes-oscar-history/11427037002/) at the Golden Globes and Screen Actors Guild Awards, among others. India celebrated another victory when The Elephant Whisperers won the award for Best Documentary Short. Halle Berry won the Oscar for Monster’s Ball in 2002. She’s 84, and I’m taking this home to her. [Nominated for 11 Oscars](https://qz.com/oscars-2023-nominations-highlights-1850024293), the sci-fi-action-comedy-family drama also dominated the acting categories, winning honors for Best Actress (Michelle Yeoh), Best Supporting Actress (Jamie Lee Curtis), and Best Supporting Actor (Ke Huy Quan). I’m bringing this home to you.” [Michelle Yeoh](https://www.elle.com/culture/movies-tv/a43262840/michelle-yeoh-best-lead-actress-speech-oscars-2023/), accepting the award for Best Actress in Everything Everywhere All at Once at the 95th Academy Awards It was a big night for Asian representation at this year’s show. If you have a genius that is waiting to erupt, you just need to find the right people to unlock that. Thank you so much everyone who has unlocked my genius.” Who else won awards at the 2023 Oscars? [won the Best Actor award](https://edition.cnn.com/2023/03/13/entertainment/brendan-fraser-oscars-best-actor/index.html) for his performance in The Whale. “The Daniels,” also won Best Director and Best Original Screenplay.
Not since “Slumdog Millionaire” won eight Oscars in 2009 has a film blitzed the Academy Awards like “Everything Everywhere All at Once,” which won seven ...
Mackesy’s simple scenario starts with a little boy lost who persuades a mole to help him find his way home. Filmed in the lushness of the Mudumalai Tiger Reserve, “The Elephant Whisperers” is loaded with day-to-day observational details, as the couple feeds, cleans and socializes the lovable Raghu in the hope that the animal can be returned to the wild. Cruise’s age gives the character an unfamiliar gravitas, but the old man still feels the need for speed. The decisions they have to make — on justice, on forgiveness, on agency and on their own futures — lead at times to solidarity and at others to wounding divisions of opinion. Navalny, has been courageously stalwart in his attacks on the Kremlin, but he flashes movie-star charisma, too, in turning Daniel Roher’s film into a political thriller laced with wit. [Stream it on Disney+](https://www.disneyplus.com/movies/black-panther-wakanda-forever/7MAONYZ92wDT?irclickid=Xz7UpvXZ5xyOWNO0MKVSfWfHUkARk8SjVTRbzg0&irgwc=1&cid=DSS-Affiliate-Impact-Content-JustWatch+GmbH-705874&tgclid=0b01003e-d8eb-42fc-8000-195d640e2bf5&dclid=CPuPj_KT1_0CFZA_DAod0qkGzA). Together, they square off against a threat under the sea, as Namor (Tenoch Huerta Mejía), the demigod king of the aquatic kingdom Talokan, acts out on his resentment of the surface world. The intermingling of fantastical creatures and events with dark historical backdrops has been a feature of Guillermo del Toro films like “Pan’s Labyrinth” and “The Devil’s Backbone,” and the surprising World War II context is only one of the standout elements in his take on the Pinocchio myth. It also balances the on-the-ground experience of an enlistee (Felix Kammerer) in the trenches with cease-fire negotiations between a German armistice chair (Daniel Brühl) and his French counterpart. Daniels (“Swiss Army Man”), who cast Yeoh as a woman who’s surprised to discover that only she has the power to keep an interdimensional rupture from consuming the world. [Stream it on Showtime](https://www.showtime.com/movie/3493875). But with the exception of “Avatar: The Way of Water,” which is still only in theaters, and the live-action short winner “An Irish Goodbye,” all of the night’s honorees are accessible through streaming services, digital outlets or both, with Netflix earning a particularly good haul with the war drama “All Quiet on the Western Front,” the stop-motion animated feature “Guillermo del Toro’s Pinocchio” and the documentary short “The Elephant Whisperers.” Here’s a complete rundown of winners that are only a click away:
The futuristic film from the studio A24 won seven awards, including for best picture, directing and in three of the four acting categories.
The Swedish filmmaker Ruben Östlund (“Triangle of Sadness”) and the British-born Martin McDonagh (“The Banshees of Inisherin”) were honored. “Top Gun: Maverick” collected $1.5 billion, and “Avatar: The Way of Water” took in $2.3 billion. [any women](https://www.nytimes.com/2019/12/12/movies/female-directors-oscars.html) in the best director category. In the days leading up to the Oscars, another in a series of rainstorms soaked Los Angeles, so much so that the academy sent an alert to the news media on Wednesday warning that it may “need to clear the carpet at a moment’s notice.” In the end, the weather cooperated, and it was a sunny 63 degrees. Jordan, the “Creed” star, and Pedro Pascal, who plays the title role in “The Mandalorian,” were prepared to intervene. This year, Sarah Polley (“Women Talking”) was left out even though her film was nominated for best picture. Carter also won for “Black Panther” in 2019.) “Never give up.” She was the first Asian woman to receive the award. So did the little-seen art films “Triangle of Sadness,” “Women Talking” and “Tár.” Voters also made room for a musical (“Elvis”) and a memory piece (“The Fabelmans”). [95th Academy Awards](https://www.nytimes.com/news-event/awards-season), they may mark it as the start of a new New Hollywood. Curtis was also in tears by the time she reached the fiery conclusion of her acceptance speech. They are both 35.) The film, which received a field-leading 11 nominations, also won Oscars for film editing, best actress and best supporting actor and actress, with Michelle Yeoh, Ke Huy Quan and Jamie Lee Curtis honored for their performances.
'Everything Everywhere All At Once' won seven Oscars, including Best Picture, at the 95th annual Academy Awards on Sunday night (March 12).
Accepting the shiny trophies were Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett. Rounding out the sci-fi spectacle's seven-win night, Paul Rogers was honored for his adept cinematic cutting. Michelle Yeoh, who portrays multiversal heroine Evelyn Wang, became the first Asian woman to win an Oscar for Best Actress. The directing pair also won for Best Original Screenplay. [Avatar: The Way of Water](https://www.space.com/avatar-the-way-of-water-movie-review)," "The Banshees of Inisherin," "All Quiet on the Western Front," "The Fabelmans," "Elvis," and others, "Everything Everywhere All At Once" shone in a multitude of categories. [science fiction film](https://www.space.com/best-sci-fi-movies) "Everything Everywhere All At Once" swept most of the major categories, winning Oscars for Best Picture, Best Director, Best Actress, Best Supporting Actor, Best Supporting Actress, Editing and Best Original Screenplay.
Michelle Yeoh's mom may not have been present in the Dolby Theater on Sunday to see her daughter win an Oscar but cameras were rolling as she watched the ...
Carter](https://www.cnn.com/2023/03/12/entertainment/ruth-carter-oscar-black-panther-cec/index.html) became the first woman of color to win two Academy Awards on Sunday, she revealed in her speech that her mother recently died at the age of 101. Carter said her work on “Black Panther: Wakanda Forever” prepared her for the moment and dedicated the award to her late mom. He spoke about spending a year in a refugee camp as a child and finding himself as an adult on Hollywood’s biggest stage. [Ke Huy Quan](https://www.cnn.com/2023/03/12/entertainment/ke-huy-quan-oscars-acceptance-speech/index.html), who won the award for best supporting actor for his role in “Everything Everywhere All at Once,” also thanked his mom for the sacrifices she made during his acceptance speech. [“Everything Everywhere All at Once”](https://www.cnn.com/2023/03/13/entertainment/everything-everywhere-all-at-once-academy-awards-takeaways/index.html) is a film about the importance of family and the dynamics of familial relationships, particularly between a mother and daughter (Stephanie Hsu). [Michelle Yeoh’s](https://www.cnn.com/2023/03/12/entertainment/michelle-yeoh-oscars-winner/index.html) mom may not have been present in the Dolby Theater on Sunday to see her daughter win an [Oscar](https://www.cnn.com/2023/03/12/entertainment/oscar-winners-2023/index.html) but cameras were rolling as she watched the historic moment live in Malaysia.
Despite increasing use of non-English languages demonstrating broader acceptance of linguistic diversity in a globalized world, films sometimes suggest ...
[language of Wakanda is the real-world language of Xhosa](https://screenrant.com/black-panther-movie-wakanda-language-xhosa-explained), spoken in South Africa, in Wakanda Forever, it was mostly relegated to greetings and asides. Unlike in James Cameron’s [Avatar: The Way of Water](https://www.hollywoodreporter.com/movies/movie-news/avatar-the-way-of-water-vfx-oscar-2023-1235343383/), viewers are never explicitly told that what the audience hears has been “translated” for us. In a neat expositional trick, the main character narrates the beginning of the film and explains that he learned the alien language well enough that it just sounds like English to him. In this Marvel Cinematic Universe story, the fictional kingdom of Atlantis was [repositioned as a Mesoamerican-inspired society](https://www.smithsonianmag.com/history/the-mesoamerican-influences-behind-namor-from-black-panther-wakanda-forever-180981106). There’s much more room for films to highlight both linguistic diversity as well as authentic characterization of characters who speak and sign without resorting to potentially harmful tropes. [Bong Joon-ho](https://www.cjenm.com/en/news/director-bong-joonhos-parasite-wins-the-best-foreign-language-film-at-the-77th-golden-globe-awards/) described in his [Golden Globes acceptance speech for 2019’s Parasite](https://variety.com/2020/film/awards/south-koreas-parasite-crashes-the-subtitles-barrier-1203488979/), when audiences move past the “one-inch tall barrier of subtitles” a richer world of film awaits. [Telling authentic stories](https://doi.org/10.1177/0963947013519551) in a modern, globalized and multicultural world means fairly portraying the languages spoken and signed all throughout our society. Yet, these characters are the primary villains of the story, portrayed as powerful and physically otherworldly. Although the In some of the film’s best scenes, the maestro uses only German during orchestra rehearsals and subtitles are dropped completely. [Oscar for best visual effects,](https://www.nzherald.co.nz/entertainment/oscars-2023-all-the-kiwis-nominated-at-the-academy-awards-this-year/G7PU6REBKFDRVLTOTUZJ4TEM4A/) the protagonists all speak Na'vi, the language of [the species living across](https://gamerant.com/avatar-creation-human-navi-hybrids-explained/) the fictional Pandora. [language of Talokan is the real-world language of Yucatec Maya](https://globalvoices.org/2023/01/05/indigenous-and-proud-a-maya-speakers-reaction-to-black-panther-wakanda-forever/), spoken by Indigenous people in present-day [Guatemala, Belize and southern Mexico](https://www.britannica.com/topic/Yucatec-language).
Los Angeles Times film critic Justin Chang joined William Brangham and discussed if the results could change how Hollywood goes about making movies. It's for ...
And so that is a success story very much in itself. I certainly hope so, because I feel safer in a movie theater. Do you think — I mean, all your criticisms aside, the points that you're making aside, do you think that this night does change the way movies get made going forward? But I think that's a shame because that is very — seven Oscars for one movie, and for that movie, to be "Everything Everywhere," is disproportionate. I mean, that is — there's something remarkable about that. What do you make of "Everything Everywhere All at Once" sweeping so much gold last night? It was a big night for indie films overall. But best original song went to Naatu Naatu from the film "RRR." Quan won for best supporting actor. We are all descendants of something and someone. We are all products of our context. It's for our arts and culture series, CANVAS.
Brendan Fraser is among nominees at the 95th Academy Awards, which are being hosted by Jimmy Kimmel.
The network is also streaming the ceremony on its website and app. Unusually, that means British viewers can watch the Oscars on Freeview and Freesat. He also paid tribute to composer John Williams, the oldest nominee in Oscars history. The Banshees of Inisherin has four acting nominations, including Colin Farrell and Kerry Condon. He most recently presided over the 2018 event. This is the American dream. Interestingly, Halle Berry has also been invited to present. "They say Hollywood is running out of ideas. At the Oscars, the World War One epic is the bookies' second favourite to take the top prize, followed by The Banshees of Inisherin. At this point, Everything Everywhere All at Once is the clear frontrunner, having won nearly every major precursor it needed to - with the notable exception of Bafta. Thank you so much for welcoming me back." Later in the ceremony, Everywhere All at Once is the favourite to win best picture after success on this year's awards' circuit.
This Iowan and producer of "Everything Everywhere All at Once" was himself mentored by director Stephen Soderbergh.
[[email protected]](mailto:[email protected]) or 515-284-8360. Despite being a producer, Russo and his brother weren’t listed as Oscar winners due to the award’s rule that only three people can be honored. They spent their 10,000 hours making commercials and music videos, honing their craft, and pulling up their team that works on all their projects.” The Russos themselves were given a similar opportunity through director Stephen Soderbergh and actor George Clooney’s company, which invested in the brothers after the release of their first film, “Pieces.” "It's been a long time since we've seen filmmakers that adventurous with that high level of skill. [he told SyFy](https://www.syfy.com/syfy-wire/gray-man-netflix-joe-anthony-russo-marvel-everything-everywhere-interview).
The major players such as Louis Vuitton (Cate Blanchett, Ana de Armas), Armani Privé (Nicole Kidman), Dior Haute Couture (Michelle Yeoh), Valentino (Florence ...
Design/Fashion Studies at the School of Business & Creative Industries, University of the Sunshine Coast. In much of the commentary around the film, moral and aesthetic categories are being confused. Was it actually the best picture of 2022? And this will excite the kinds of mega-corporations that produce indie cinema these days – they can simply recycle and combine material from their VHS collection. The genuine emotion offered and elicited across all four categories were a refreshing rebuttal for an Oscars cynic, that the symbolic power of these awards can be put in service of expanding notions of prestige acting and celebrity. What its win does suggest (along with the success of Top Gun: Maverick), is that audiences are craving nostalgic cinema that plays well on the big screen. Despite its historical winnings at the Academy Awards, it is hard to say that Everything Everywhere All At Once has successfully managed to make new representations of Asian in the big screen. That said, I liked the simplicity of the setting for the song, the strong backlighting isolating her and her band in the space and making the large stage seem more intimate. Cast mainly by Asian actors and actresses, this strangely (sometimes even disturbingly) funny but also moving comedy won most of the major awards, including Best Leading Actress and Best Director. This is one of the first songs from song-rich Indian cinema to break through to the Oscars, but we can hope that it will pave the way for more. I miss the days of the orchestra pit. Red (note the carpet was renamed champagne) got a solid look in with Melissa McCarthy, Anni Strenisko, and Cara Delavinge, who stunned in Elie Saab.
There's another layer to the, too, and that's the Daniels saluting the legendary career of Michelle Yeoh, an actor of unusual strength, humor, and dignity.
Everything Everywhere All At Once is about accepting people for who they are and keeping your commitments. Everything Everywhere All At Once is physically, emotionally, and spiritually graceful. There’s a little bit of everything for everyone, is my point. The image of Evelyn wearing a googly eye on her forehead is absurd at first sight but deeply powerful in context. It is unsurprising because their performances were superb, and the Academy Awards is “woke,” like the Super Bowl. The movie is a parade of vibes; sometimes, those vibes don’t always… Yeoh’s Evelyn Wang is a fifty-something woman smothered by responsibilities and disappointments. [The Goonies](https://decider.com/movie/the-goonies/) and [Indiana Jones And The Temple Of Doom](https://decider.com/movie/indiana-jones-and-the-temple-of-doom/). I’ll bet some folks who cringe at anything they’re told is “woke” probably aren’t interested in watching a movie about a Chinese family and would have preferred one of the movie’s villains, played by the great Jamie Lee Curtis, to have played the lead instead of Michelle Yeoh. The Daniels, as EEAAO’s collaborators are cheekily known, serve up an experience that is the exact opposite of Woody Allen’s joke about two diners complaining about the terrible food and the small portions. I would imagine the anti-woke crowd would also be uncomfortable with the indie blockbuster’s view that queerness is eternal and inevitable and exists in every dimension. It is a movie that asks its audience to sit back, relax, and truly, deeply imagine living life through the eyes of someone different, to embrace another’s unique challenges while celebrating what makes them different from you and vice versa.
Everything Everywhere All at Once claimed seven awards at the Academy Awards, including the coveted best picture prize and three of the four acting Oscars ...
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Everything took home best picture, best directors (Daniels), best original screenplay, best actress (Michelle Yeoh), best supporting actress (Jamie-Lee Curtis) ...
It was a stunning return for the film, whose subject matter and tone would simply never have previously been a fit for the Academy’s voting body. It is pitched at a millennial audience and will likely not land with anyone over 50, perhaps this is what the Oscars will reward going forward. It was a stunning return for the film, whose subject matter and tone would simply never have previously been a fit for the Academy's voting body. Everything is a proudly weird film, which centres an Asian-American family and reflects the frantic pace of modern life with the internet and social media. The only category of the ‘top seven’ that Everything did not win was the best actor (Brendan Fraser, for The Whale) and that was because no one in the Everything cast was eligible. In a sweep of all the major categories it competed in, Everything took home best picture, best directors (Daniels), best original screenplay, best actress (Michelle Yeoh), best supporting actress (Jamie-Lee Curtis) and best supporting actor (Ke Huy Quan).