Oscars

2023 - 3 - 13

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Image courtesy of "NPR"

In the end, it was an 'Everything Everywhere' night at the Oscars (NPR)

Best picture, best original screenplay, best director, best supporting actor and actress, best actress, and best editing — Everything Everywhere All at Once ...

This was a year in which they didn't try much in terms of change; in fact, the goal seemed to be the most normal Oscars possible. At the same time, it was a reminder that while only a few years ago, Netflix was trying to wedge itself into the Oscars, it's now established a home there. It was perhaps the most utterly traditional choice they could have made in every way except for the fact that it's a film that's not in English. The film perhaps sneaked up on people, but as Oscar night wore on and it started to rake in prizes, including for score, cinematography, production design and international feature, the fondness that Academy voters still have for epic war sequences became perfectly clear. Perhaps it's fitting that Avatar won for visual effects and Top Gun: Maverick for sound — the spectacles won awards that relate, in part, to their status as such. Some montages, a nice In Memoriam segment, an okay monologue, solid musical performances from Lady Gaga and Rihanna among others, and a return to theater seating after last year's cocktail tables and the train station set the year before. That theory might turn out to be right or it might be wrong, but if this year didn't do it, then nominating big movies isn't a solution to the ratings problem as has so often been speculated. [Ke Huy Quan](https://www.npr.org/2023/03/12/1160156811/ke-huy-quan-best-supporting-actor-oscar-everything-everywhere-all-at-once) once found himself shut out of Hollywood after a big start as a child actor in movies like Indiana Jones and the Temple of Doom and The Goonies. The awards for supporting actor and supporting actress went to two very, very different "newcomers." But it's also part of the Academy's effort to revive interest in the ceremony after years of hearing the theory that the ratings were dropping because blockbusters weren't being nominated. What's perhaps most surprising is how many films that once seemed like strong contenders for major awards wound up getting completely shut out: Tár, The Banshees of Inisherin, The Fabelmans and Elvis all went home empty-handed. Of the 20 acting nominees across lead and supporting categories, 16 were first-time nominees.

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Image courtesy of "CNBC"

Oscars 2023: Michelle Yeoh says she 'kung fu'd' glass ceiling with ... (CNBC)

The Malaysian-born Yeoh is only the second woman of color ever to win best actress at the Oscars.

"If this is your passion, this is your love, you have to stand up for yourself and for what you believe in and for what you want to do," she told reporters backstage. "She's 84, and I'm taking this home to her," Yeoh added. "I think this is something that we have been working so hard towards for a very long time, and tonight we freaking broke that glass ceiling," she continued. "For all the little boys and girls who look like me watching tonight, this is a beacon of hope and possibilities. The Malaysian-born Yeoh is only the second woman of color ever to take home the award. This is proof — dream big and dreams do come true," Yeoh said during her acceptance speech.

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Image courtesy of "The New York Times"

'Everything Everywhere All at Once' Is Big Winner at the Oscars (The New York Times)

The futuristic film from the studio A24 won seven awards, including for best picture, directing and in three of the four acting categories.

The Swedish filmmaker Ruben Östlund (“Triangle of Sadness”) and the British-born Martin McDonagh (“The Banshees of Inisherin”) were honored. “Top Gun: Maverick” collected $1.5 billion, and “Avatar: The Way of Water” took in $2.3 billion. [any women](https://www.nytimes.com/2019/12/12/movies/female-directors-oscars.html) in the best director category. In the days leading up to the Oscars, another in a series of rainstorms soaked Los Angeles, so much so that the academy sent an alert to the news media on Wednesday warning that it may “need to clear the carpet at a moment’s notice.” In the end, the weather cooperated, and it was a sunny 63 degrees. Jordan, the “Creed” star, and Pedro Pascal, who plays the title role in “The Mandalorian,” were prepared to intervene. This year, Sarah Polley (“Women Talking”) was left out even though her film was nominated for best picture. Carter also won for “Black Panther” in 2019.) “Never give up.” She was the first Asian woman to receive the award. So did the little-seen art films “Triangle of Sadness,” “Women Talking” and “Tár.” Voters also made room for a musical (“Elvis”) and a memory piece (“The Fabelmans”). [95th Academy Awards](https://www.nytimes.com/news-event/awards-season), they may mark it as the start of a new New Hollywood. Curtis was also in tears by the time she reached the fiery conclusion of her acceptance speech. They are both 35.) The film, which received a field-leading 11 nominations, also won Oscars for film editing, best actress and best supporting actor and actress, with Michelle Yeoh, Ke Huy Quan and Jamie Lee Curtis honored for their performances.

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Image courtesy of "Space.com"

'Everything Everywhere All At Once' takes home 7 Oscars, including ... (Space.com)

'Everything Everywhere All At Once' won seven Oscars, including Best Picture, at the 95th annual Academy Awards on Sunday night (March 12).

Accepting the shiny trophies were Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett. Rounding out the sci-fi spectacle's seven-win night, Paul Rogers was honored for his adept cinematic cutting. Michelle Yeoh, who portrays multiversal heroine Evelyn Wang, became the first Asian woman to win an Oscar for Best Actress. The directing pair also won for Best Original Screenplay. [Avatar: The Way of Water](https://www.space.com/avatar-the-way-of-water-movie-review)," "The Banshees of Inisherin," "All Quiet on the Western Front," "The Fabelmans," "Elvis," and others, "Everything Everywhere All At Once" shone in a multitude of categories. [science fiction film](https://www.space.com/best-sci-fi-movies) "Everything Everywhere All At Once" swept most of the major categories, winning Oscars for Best Picture, Best Director, Best Actress, Best Supporting Actor, Best Supporting Actress, Editing and Best Original Screenplay.

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Image courtesy of "News24"

Hugh Grant's awkward Oscars red carpet interview is going viral for ... (News24)

Hugh Grant was interviewed on the Oscars champagne red carpet Sunday – "And the Oscar for the guy who totally doesn't want to be there," has to go to him, ...

"I'm in it for about three seconds." Kudos to— April (@ReignOfApril) Graham began by asking what Grant's favourite thing was about the awards show.

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Image courtesy of "Eyewitness News"

'Everything Everywhere' claims early Oscars as gala kicks off with ... (Eyewitness News)

The unorthodox but widely loved genre giant "Everything Everywhere" won best supporting actor and best supporting actress for Ke Huy Quan and Jamie Lee ...

I spent a year in a refugee camp. "My journey started on a boat. this is the American Dream!" And somehow, I ended up here on Hollywood's biggest stage... The Vietnam-born actor, 51, was a major child star in the 1980s with Indiana Jones and the Temple of Doom and The Goonies but has made a comeback from decades in the Hollywood wilderness. The unorthodox but widely loved genre giant "Everything Everywhere" won best supporting actor and best supporting actress for Ke Huy Quan and Jamie Lee Curtis.

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Image courtesy of "The New York Times"

Oscars Draw 18.7 Million Viewers (The New York Times)

ABC executives and much of Hollywood can breathe a sigh of relief. Viewership totals for ABC's telecast of the 95th Academy Awards on Sunday night rose for ...

And as ratings have slumped, ABC has increased the number of ads it places in the Oscars telecast. (When “The Last of Us” went head-to-head against the Super Bowl last month, network executives released that week’s episode on a Friday on HBO Max; the network did not bother deploying that get-out-in-front-of-it strategy for the Oscars.) HBO said on Monday that the finale drew a season high of 8.2 million viewers. The academy reported that the 2022 Oscars generated $137.1 million, almost all of it coming from Disney, ABC’s parent company, for the domestic and international licensing rights. ABC said on Friday that it had sold out its Oscars inventory; Pfizer, Rolex and Verizon were the lead sponsors. And last month the Super Bowl drew 113 million viewers, the second-highest viewership total in the game’s history. The red carpet preshow brings in roughly $16 million annually. The evening had plenty of tears, with all four acting winners (Brendan Fraser, Michelle Yeoh, Ke Huy Quan and Jamie Lee Curtis) giving emotionally charged speeches. And the best picture winner, “Everything Everywhere All at Once,” generated $104 million in ticket sales. Reviews were mixed, with some critics praising the show’s traditional look and feel, and others being turned off by what Even so, it was the third-least-watched Oscars on record. Two films up for best picture grossed more than $1 billion at the box office — “Top Gun: Maverick” collected $1.5 billion, and “Avatar: The Way of Water” took in $2.3 billion. Last year’s Oscars attracted 16.6 million, with viewership

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Image courtesy of "The New York Times"

This Year, a Plain Old Ordinary Oscars Was Something to Savor (The New York Times)

After breathing a sigh of relief that the night went smoothly, our critics examine the acting wins as well as the track records of studios and Netflix.

[Apple won best picture](https://www.nytimes.com/2022/03/27/movies/oscars-winner-list.html) last year with “CODA,” but Apple doesn’t feel like a threat (to anything, really), unlike Netflix, which has consistently tried to bend the industry to its will. [Brendan Fraser](https://www.nytimes.com/2023/03/01/movies/brendan-fraser-oscar-the-whale.html) (best actor) and [Ke Huy Quan](https://www.nytimes.com/2022/04/05/movies/ke-huy-quan-everything-everywhere.html) (best supporting actor) were comeback kids, each one returning to stardom after years away. The industry employs and exploits so many people, and every year celebrates a handful of those and the craft and creativity that make this business special. My movie life and my thinking about what it all means onscreen and off, as well as my cranky Oscar post-mortems, just won’t be the same without you. I certainly do, but this was my last Oscars as a film critic for The Times. Yeoh and [Jamie Lee Curtis](https://www.nytimes.com/2022/10/12/movies/jamie-lee-curtis-halloween.html) (supporting actress) were genre veterans and longtime stars basking in overdue glory. Still no best picture for that streamer, and another one for A24 (which gave us “Moonlight” a few years back). [95th annual Academy Awards](https://www.nytimes.com/2023/03/13/arts/oscars-everything-everywhere-all-at-once.html), with the familiar dazzling smiles and designer threads, the showy glad-handing and flowing tears. [Michelle Yeoh](https://www.nytimes.com/2023/03/12/movies/michelle-yeoh-oscars-best-actress.html), the academy’s first Asian best actress winner, was the evening’s main front-row attraction. Yet everyone who faithfully (hate) watches the Oscars knows that there’s always a lot going on other than demigods doling out awards to one another or smiling for the hoi polloi at home. A great many people love this movie to the point of being obnoxious about it on social media, and its vibe of earnest, energetic, slightly cloying emotional openness was the evening’s dominant vibe. Midway through I realized that, mostly, I felt somehow reassured that life — and the movies — felt almost normal again, even with those weird Paxlovid ads and the honorable sight of Jessica Chastain briefly wearing a face mask.

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Image courtesy of "Vanity Fair"

Oscars 2023: What You Didn't See on TV (Vanity Fair)

Vanity Fair's David Canfield, Rebecca Ford, Joy Press, and Natalie Jarvey were all on hand to see the Oscars from every angle, from casual moments at the bar to ...

VF’s writers were scattered between the parterre and mezzanine levels of the Dolby, but no matter where you were, you’d be near an ecstatic cheering section for the movie—stacking the room a bit, maybe, but truly aiding in the feeling that the Academy was fully behind the film, with ecstatic yelps following each of its seven wins. You could see a few Netflix executives excitedly greeting each of their war drama’s winners as they huddled in the aisles, gold statuettes in hand. Looking up at the big screen, she gasped and put her hand over her mouth, seeming, for a moment, like she was terrified she was missing a cue. As the night goes on, it becomes a hub of unexpected celebrity interactions, though one of VF’s favorite sightings this year was catching the “Naatu Naatu” performers just after they’d gotten off the stage. There was a strict requirement that press and publicists on the carpet wear dark blue or black, and no one’s credential was allowed to show in an effort to create a more elegant vibe. Editor Paul Rogers told press backstage that the film’s nominees used their extra tickets to invite crew members to the show. The glamour of the Academy Awards doesn’t stop with the red carpet. Overall, word on the champagne carpet was that the face-lift was a success, though there may be more debate to come on next year’s carpet hue. Designed by creative consultant and former Vogue editor Lisa Love, the champagne-hued Oscars red carpet was a decided break from tradition, though the red-carpet glamour was captured in the drapes that covered the carpet from the sun (or the unusual amount of Los Angeles rain). “You are the most beautiful-looking group of people I have ever seen,” he told the journalists. He explained that his mom, whom he brought to the show, pulled him out of school after noticing that his writing skills had declined. As it turns out, there was a very good reason those cheers were so loud: The theater was veritably packed with the film’s crew.

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Image courtesy of "Variety"

2023 Oscar Ratings: Academy Awards Audience Up 12% From Last ... (Variety)

Early, time zone-adjusted Oscar ratings showed the Academy Awards audience reached 18.7 million total viewers, earning at 4.0 rating in the key demo.

The last time the Oscars scored more than 30 million viewers was 2017 (33 million, when “Moonlight” won) and the last time it crossed the 20 million threshold was the pre-pandemic 2020 show (23.6 million, the year “Parasite” was victorious). The record for an Oscars telecast remains the landmark 1998 entry, where an average of 55.3 million viewers watched “Titanic” win best picture. After additional time-shifted viewing in the days that followed, the telecast wound up pulling 17.6 million viewers, making it the most-watched non-sports program of last year. This year’s telecast faced tough competition from HBO’s season finale of breakout smash “The Last of Us” — whose star, Pedro Pascal, was ironically a presenter on the kudocast. Final “live + same day” Nielsen data for the 95th Oscars will be available Tuesday. And according to those time-zone-adjusted fast-national numbers from Nielsen, it bested the previous year’s 3.8 rating by 5% in key adults 18-49, earning a 4.0 in the demo.

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Image courtesy of "British Vogue"

All The Best Looks From The Oscars 2023 After-Parties (British Vogue)

The Oscar 2023 after-parties, including the Vanity Fair Oscar Party, were a star-studded affair. From Hailey Bieber and Florence Pugh to Austin Butler and ...

Below, see all the best 2023 Oscar after-party looks from the night. Following a joyful ceremony, which also saw Rihanna perform, a donkey take to the stage and Four Weddings and a Funeral co-stars Hugh Grant and Andie MacDowell reunite as award presenters, stars headed to the Vanity Fair Oscars Party – where newly crowned Oscar winners including Jamie Lee Curtis, Brendan Fraser and Ke Huy Quan all made an appearance. All The Best Looks From The Oscars 2023 After-Parties

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Image courtesy of "The New York Times"

Best Oscars Red Carpet Looks: Angela Bassett, Cate Blanchett and ... (The New York Times)

Hong Chau in a baby pink column gown with a black fringed train. A mandarin collar was a detail specifically requested by the actress Hong Chau for her satin ...

Like the A.I. Because of the buzz surrounding her role playing a Disney princess, Ariel, in the forthcoming live-action remake of “The Little Mermaid.” In it, the actress looked as much like Marilyn Monroe, whom she portrayed in the film “Blonde,” as Of the many princess dresses on the carpet, the singer’s poufy aquamarine Dolce & Gabbana gown arguably stood out the most. Bassett described as “the color of royalty.” At the Oscars? It reportedly took 1,000 hours to make the petals that formed the skirt of Ms. The singer and actress kept it relatively simple in a sheer black Versace gown straight off the runway. The look, according to Ms. If anyone could make them work it would be the English actress, who sported a black pair beneath a voluminous gray-white Valentino couture gown made more edgy by her mini bangs and septum ring. Gurira said made her feel her most “African self.” Rounding out the spectrum were gowns in yellow, worn by the costume designer Ruth E.

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Image courtesy of "Vanity Fair"

Oscars 2023: So, Who's Mad About What? (Vanity Fair)

Tems attends the 95th Annual Academy Awards in Hollywood, California. By Emma McIntyre/Getty Images. Oscars 2023. Oscars ...

This one’s always tricky for the Oscars: How does the Academy decide whom to include, and which order to put them in? That must have been particularly hard for star Austin Butler, who famously grew so attached to the project that he continued speaking in an Elvis-esque voice throughout his campaign. The first four were nominated for The Banshees of Inisherin; Mescal was up for Aftersun. [sitting directly behind her](https://twitter.com/mrmedina/status/1635105386599698433). Why? Who’s Mad?

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Image courtesy of "Vanity Fair"

Oscars 2023 Score One Last Victory: Good Ratings (Vanity Fair)

For the second year in a row, linear ratings have gone up significantly — but even that doesn't tell the full story.

And the ceremony easily bested its biggest Sunday night competition: the [season finale of The Last of Us](https://www.vanityfair.com/hollywood/2023/03/bella-ramsey-the-last-of-us-finale-exclusive), which drew 8.2 million viewers according to HBO. [Vanity Fair Oscar Party Portrait Studio](https://www.vanityfair.com/hollywood/photos/2023/03/seliger-2023-vf-oscar-party-portraits?itm_content=footer-recirc&itm_campaign=more-great-stories-oscars-2023) [published by Variety](https://variety.com/2023/tv/news/2023-oscar-ratings-academy-awards-audience-1235550070/) drew 18.7 million viewers, a 12% boost from last year. [Oscars 2023 Red Carpet](https://www.vanityfair.com/style/photos/2023/03/oscars-2023-red-carpet-all-the-fashion-outfits-and-looks?itm_content=footer-recirc&itm_campaign=more-great-stories-oscars-2023) [Vanity Fair Oscar Party](https://www.vanityfair.com/hollywood/2023/03/how-to-watch-2023-vanity-fair-oscar-party?itm_content=footer-recirc&itm_campaign=more-great-stories-022723)Red Carpet [Vanity Fair Oscar Party](https://www.vanityfair.com/hollywood/2023/03/2023-vanity-fair-oscar-party-report?itm_content=footer-recirc&itm_campaign=more-great-stories-oscars-2023)With Everyone, All at Once

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Image courtesy of "BBC News"

Oscars ratings record 18.7 million viewers, 12% higher than 2022 (BBC News)

Roughly 18.7m US viewers tune in, making Sunday the third-least watched Oscars since tracking began.

The scaled-back ceremony in 2021 was the least-watched Oscars of all time. The Oscars were viewed by 10.4 million people in 2021 and 16.6 million in 2022. The 95th Academy Awards were watched by an average of 18.7 million people in the US, a 12% increase over 2022, overnight figures show.

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Image courtesy of "Vanity Fair"

The Oscars 2023 Pave a Path Forward (Vanity Fair)

The future of Hollywood loomed heavily at 2023's Academy Awards, and the winners largely answered that call.

[its tough road](https://www.vanityfair.com/hollywood/2023/02/awards-insider-little-gold-men-frances-mcdormand-sarah-polley) on the circuit, the UAR-MGM release was the only indie of a certain prestige class to nab any gold at all on Sunday. They could’ve done worse than deliver a historic night to the movie that, in more ways than one, defined American cinema in 2022. Everything Everywhere All at Once was a box-office phenomenon for A24, grossing over $100 million globally on an indie budget and achieving a full theatrical run, to say nothing of its robust life on digital since the summer. But just as they did with the At this point, even if an unusual choice—I wouldn’t exactly call All Quiet the most acclaimed or buzziest streaming movie of the year—the Academy cannot and should not ignore streaming, given the sizable chunk of the industry it now represents. [Vanity Fair Oscar Party](https://www.vanityfair.com/hollywood/2023/03/2023-vanity-fair-oscar-party-report?itm_content=footer-recirc&itm_campaign=more-great-stories-oscars-2023)With Everyone, All at Once It’s worth zooming out a bit to consider the performance of Everything Everywhere All at Once at Sunday night’s Academy Awards—a dominance of truly historic proportions for this nearly 95-year-old awards show. The film fielded the first Asian woman and second woman of color to ever win best actress, in Michelle Yeoh, and the third duo to win best director, in Daniel Scheinert and Daniel Kwan. In its own way, this year’s Oscars felt like a vote for Hollywood’s future. But I keep going back to the groups beyond the Oscars. Her story in Hollywood, from [traumatized child actor](https://www.theguardian.com/film/2022/may/30/sarah-polley-interview-memoir) to highly regarded filmmaker—challenging the way sets and productions are run—got a real moment, and this felt in its own way like a vote for a brighter Hollywood future, as Polley alluded to in her speech. As we discuss in our annual Little Gold Men Oscars postmortem (listen above), this film—with talking rocks and hot dog fingers and multiverses—was the overwhelming industry favorite.

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Image courtesy of "Los Angeles Times"

Oscars 2023: Winners honor immigrant parents in speeches (Los Angeles Times)

'Everything Everywhere All at Once' director Daniel Kwan, producer Jonathan Wang and star Ke Huy Quan thanked their immigrant parents at the Oscars.

I know that she wanted this for me as much as I wanted it myself.” And they do it because they really want you to be better, so you have more opportunities and you will have a better life. “This film prepared me for this moment. “[My mom is] 84, and I’m taking this home to her. There’s nine of us, and every single one of them are so grateful to my parents.” “The first image that I had in my mind was my mom ... “So this movie is very much a love song to our Taiwanese parents.” “Without them, none of us would be here tonight,” Yeoh said. But I think that actually makes it even more beautiful — knowing how much she gave up for me and my siblings.” She had a great life where we came from, and and she gave all that up so that all her children — there’s nine of us. “She is someone who loves to change her passions every couple of years. “I spent a year in a refugee camp.

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Image courtesy of "Aljazeera.com"

Oscars 2023: The key moments from the Academy Awards ceremony (Aljazeera.com)

It was a night of historic wins at the 95th annual Academy Awards on Sunday at the Dolby Theatre in Los Angeles, California. The Oscars concluded with ...

The 54-year-old actor took on a new set of physical challenges for The Whale. “And without them, none of us would be here tonight.” She dedicated the award to Mabel Carter, her mother, who she said died this past week at the age of 101. “This film prepared me for this moment,” she said. specifically my mom and dad, thank you for not squashing my creativity”. The evening made history, with [Michelle Yeoh](/news/2023/3/10/michelle-yeohs-success-masks-struggle-of-malaysian-film-industry) becoming the first Asian performer to win best actress and India winning two trophies. “Maybe give the assailant a hug.” “I am hundreds of people.” “My husband is in prison just for telling the truth. This, this is the American dream.” I am hundreds of people…we just won an Oscar.” They say stories like this only happen in the movies.

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Image courtesy of "News24"

Trevor Noah had a 'great night with great company' at the Oscars ... (News24)

There's no party like the Oscars Vanity Fair afterparty, and Trevor Noah made sure he didn't miss it. The South African comedian – who is in the middle of ...

You can cancel anytime and if you cancel within 14 days you won't be billed. For 14 free days, you can have access to a world of in-depth analyses, investigative journalism, top opinions and a range of features. Photo: Stefanie Keenan/WireImage for Vanity Fair [Winners](https://www.news24.com/life/arts-and-entertainment/film/all-the-2023-oscar-winners-20230313) included Michelle Yeoh, who made history when she became the first woman of Asian descent to win Best Actress for her role in Everything Everywhere All at Once. Photo: Matt Winkelmeyer/WireImage for Vanity Fair Julia Garner and Trevor Noah attend the 2023 Vanity Fair Oscar Party Hosted By Radhika Jones at Wallis Annenberg Center for the Performing Arts.

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Image courtesy of "The Guardian"

How did Everything Everywhere All At Once sweep the Oscars? (The Guardian)

A combination of old fashioned star power and zeitgeisty marketing captured Oscar voters (and audiences) across the board.

By the autumn, it was clear the film had a real shot at the gongs, and A24 set about securing them. Such strategies encouraged the idea of a grassroots push for an underdog. But Tuesday was the last day of voting, and in a tight race, every little helps. It looks like a film from the future and relies for its pull on the past. Yeoh joined in too, and last Tuesday screenshotted an article on her personal account explicitly comparing the career prospects for herself and fellow nominee Cate Blanchett, should each of them prove triumphant. [declaring](https://www.youtube.com/watch?v=rrDekTrJ13o) “Everything has led to this” - the campaign leant heavily on the zeitgeisty lingo which also defines its aesthetic. Gradually the film’s clout snowballed along with its box office, as more and more critics - as well as industry insiders - declared their love. It was almost everything, almost everywhere, over the course of almost four hours. “I cannot imagine a better audience and crowd for this movie,” said c0-director Daniel Kwan as they took to the stage to present it. Word of mouth began strongly from a crowd at fever-pitch excitement, on the opening night of their first in-person festival in years. [Everything Everywhere All At Once](https://www.theguardian.com/film/everything-everywhere-all-at-once) took the top prize this year, victory felt an inevitability. The strategy slowly began to shift.

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